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・ A Graveyard of Empty Bottles
・ A Graveyard to Let
・ A Graña
・ A Great and Terrible Beauty
・ A Great Artist
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・ A Great Big Sled
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・ A Great Collection of Fabricated Traditions
・ A Great Compilation of Fatwa
・ A Great Coup
・ A Great Day
・ A Great Day for Freedom
・ A Great Day in Harlem
・ A Great Day in Harlem (film)
A Great Day in Harlem (photograph)
・ A Great Fall
・ A Great Game
・ A Great Jubilee Day
・ A Great Mistake
・ A Great New Star
・ A Great Night in Harlem
・ A Great Wall
・ A Great Way to Care
・ A Greater Darkness
・ A Greater Good (History 1998–2008)
・ A Greater Sense of Self
・ A Greater Song
・ A Greater Tomorrow
・ A Greater Yes


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A Great Day in Harlem (photograph) : ウィキペディア英語版
A Great Day in Harlem (photograph)

''A Great Day in Harlem'' or ''Harlem 1958'' is a 1958 black-and-white group portrait of 57 notable jazz musicians photographed in front of a brownstone in Harlem, New York City. The photo has remained an important object in the study of the history of jazz.
Art Kane, a freelance photographer working for ''Esquire'' magazine, took the picture around 10 a.m. on August 12 in the summer of 1958. The musicians had gathered at 17 East 126th Street, between Fifth and Madison Avenues in Harlem. ''Esquire'' published the photo in its January 1959 issue. Kane calls it "the greatest picture of that era of musicians ever taken."
Jean Bach, a radio producer of New York, recounted the story behind it in her 1994 documentary film, ''A Great Day in Harlem''. The film was nominated in 1995 for an Academy Award for Documentary Feature.
, only two of the 57 musicians who participated are still living (Benny Golson and Sonny Rollins).
==Musicians in the photograph==


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